There’s a point between what was said
and what was imagined;
a point between reality
and fiction;
a place in which we’ve never met.
A place to hide.
It’s a haven of ambiguity,
of letters that curl to the edge of the page;
spelling things which may have happened,
it doesn't matter either way;
it still looks the same.
It’s always about how you read it;
how you decipher the semiotics.
It’s always about how you read it;
how you decipher the semiotics.
They're only
words on a page,
a torn page.
And nothing quite lined up the way it was written to;
grey.
words on a page,
a torn page.
And nothing quite lined up the way it was written to;
grey.
Everything was inextricably blurred;
blue.
I kept talking to you after you hung up the phone,
What will I do when the rain comes?
The rain is coming.
I can smell it.
I kept talking to you after you hung up the phone,
What will I do when the rain comes?
The rain is coming.
I can smell it.
Point to it.
and find within these lines,
the smell of
a hideous sentence,
these fingers refuse to write.
But it’s here hiding.
Hiding between these lines.
these fingers refuse to write.
But it’s here hiding.
Hiding between these lines.
ally.
i wrote this when i was listening to
'Knives Out' - Radiohead.
now i can't get that song out of my head.
[also. everytime someone says the date -
January blahblah
i keep thinking of these three lines from a poem on my wall.
it's a Pablo Neruda;
"Maybe January light will consume
My heart with its cruel
Ray, stealing my key to true calm."
2 comments:
Yes, yes, I do love this one.
And I also have a secret love for Pablo Neruda.
Marvellous!
ha, Cat. i love that you set your name as 'Pie'. you're so excellent.
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